Wednesday, September 24, 2008
Monday, September 15, 2008
Remember a day
Rick Wright died today and I'm very sad. All I can do is listen to the Floyd.
God bless him.
God bless him.
Friday, September 12, 2008
Dear sir or madam, will you read my book?
My oldest friend in the world; the person who is truly responsible for my becoming a writer (of any sort) has continued to egg, inspire and push me (again) into writing more than just songs. She feels that I should be expanding and enhancing what I've done to go beyond the perimeters of music.
There are moments when I think "well, what am I even writing songs for? I'm not young; I don't want to pretend to have rock star inclinations--what's the point?". And then I have one of those flashes of performing--just myself and a 12-string guitar, which I think has become my musical trademark--and I look at the desk and push myself to write something/anything--whether it's on this blog; a quick bit of lyric or freeform prose; it's for the sake of writing and not stopping.
I'm at a point in my life where I am comfortable in the knowledge that I may not write another song again; I may not record any more music; I may stop writing because I haven't felt it in a while. I don't think that's a bad or negative thing, either. But it's interesting to be able to think in this rational a manner.
Case and point, the album--in an odd twist, I completed the layout and didn't record a note. I couldn't bring myself to be bothered, quite frankly. I'd look at the recording equipment and think, no, not today. And then--again--what's the point?
You start to get an uneasy feeling, knowing that you've reached a point in your life when something that you once loved and felt passion for is not there--you no longer love it, need it or (worse, for some) feel absolutely nothing towards it. It can be a person; it can be a place; it can be anything. What no one ever stops to think about is that this is actually the greatest form of liberation because a person is free from having to be forced out of something; the decision is to either move on or find a new enhancement.
To be continued, but nothing to be looked upon as negative...
There are moments when I think "well, what am I even writing songs for? I'm not young; I don't want to pretend to have rock star inclinations--what's the point?". And then I have one of those flashes of performing--just myself and a 12-string guitar, which I think has become my musical trademark--and I look at the desk and push myself to write something/anything--whether it's on this blog; a quick bit of lyric or freeform prose; it's for the sake of writing and not stopping.
I'm at a point in my life where I am comfortable in the knowledge that I may not write another song again; I may not record any more music; I may stop writing because I haven't felt it in a while. I don't think that's a bad or negative thing, either. But it's interesting to be able to think in this rational a manner.
Case and point, the album--in an odd twist, I completed the layout and didn't record a note. I couldn't bring myself to be bothered, quite frankly. I'd look at the recording equipment and think, no, not today. And then--again--what's the point?
You start to get an uneasy feeling, knowing that you've reached a point in your life when something that you once loved and felt passion for is not there--you no longer love it, need it or (worse, for some) feel absolutely nothing towards it. It can be a person; it can be a place; it can be anything. What no one ever stops to think about is that this is actually the greatest form of liberation because a person is free from having to be forced out of something; the decision is to either move on or find a new enhancement.
To be continued, but nothing to be looked upon as negative...
Wednesday, September 10, 2008
September song
Nothing exciting to report... yet. Although there may be a live, solo appearance on the horizon along with a new addition to the arsenal.
Here's an old throwback--what I've been listening to lately:
Never Ever Land - International Artists boxset
Ocean Beach - Red House Painters
most singles by That Petrol Emotion (who have reformed for the moment)
Get Happy - Elvis Costello & The Attractions
East Side Story - Squeeze
Low key and in step with this regained sense of relaxation...
More soon and that's a promise.
Here's an old throwback--what I've been listening to lately:
Never Ever Land - International Artists boxset
Ocean Beach - Red House Painters
most singles by That Petrol Emotion (who have reformed for the moment)
Get Happy - Elvis Costello & The Attractions
East Side Story - Squeeze
Low key and in step with this regained sense of relaxation...
More soon and that's a promise.